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©: Toni Peñarroya -
©: Toni Peñarroya -
©: Toni Peñarroya
What you’ll hear and see
The music
- 1e partie: 1440–1640
- Traditionnel malien chant de griot: lamentation africaine
- Alonso Mudarra Canzon alla Villota: «La tricotea Samartin la vea» (Cancionero de Palacio)
- Anonyme nahuatl poème
- Traditionnel afro-cubain chant à Oshun
- Vodou traditionnel haïtien Ballmannan
- Traditional «Ofulú lorêrê-ê» (arr. Aloysio de Alencar Pinto)
- Mateo Flecha l'aîné «San Sabeya, gugurumbé».
- Traditionnel Son Jarocho «Los Negritos / Gurumbé»
- Teodora Ginés «Son de Má’ Teodora»
- Traditionnel malien chant de griot: «Sinanon saran»
- Traditional chant d'esclave: «Look over Yonder»
- Gaspar Fernandes «Tleycantimo choquiliya» (Mestizo e Indio)
- 2e partie: 1680–1880
- Traditional Canto do Guerreiro (Caboclinho paraibano) (arr. Michel Costa) chant d'esclave: «You gonna reap what you sow» changüí de Guantánamo: «La rumba está buena»
- Gaspar Fernandes «Xicochi conentzitle»
- Jean-Philippe Rameau Les Indes galantes: Air pour les esclaves africains
- Compositeur anonyme «Cachua serranita nombrada: El Huicho Nuebo: No ay entendimiento humano» (Codex Trujillo)
- Traditionnel haïtien Tumba francesa
- Traditionnel malien Lamento
- Traditional chant religieux et prière IsiXhosa: «Indodana»
- Juan García de Zéspedes, Traditional Guaracha de Tixtla: «Ay, que me abraso, ay / El Arrancazacate»
- Mario Oropesa «Aguacero, aguacerito» (arr. Leopoldo Novoa)
The artists
- Hespèrion XXI
- La Capella Reial de Catalunya
- Jordi Savall conducting, concept
- Emilio Buale Narrator
- Canada
- Neema Bickersteth vocals
- Guinée
- Sékouba Bambino vocals
- Guadeloupe
- Yannis François vocals, dance
- Mali
- Momi Maiga kora, vocals
- Mamani Keïta
- Tantie Kouyaté
- Fanta Sissoko
- Mexique / Colombie
- Tembembe Ensamble Continuo
- Ada Coronel vocals, dance
- Leopoldo Novoa marimbol, marimba de chonta, tiple
- Ulises Martínez violin, vihuela, leona, vocals
- Brésil
- Maria Juliana Linhares soprano
- Zé Luis Nascimento percussion
- Cuba
- Teresa Yanet vocals
- Lixsania Fernández vocals, viola da gamba
- Marlon Rodríguez percussion, vocals
- Frank Pereira guitar, tres, vocals
- Haïti
- Sylvie Henry vocals
- Venezuela
- Iván García bass
Navigating on the borders of music and history,
Jordi Savall will be exploring the infamous routes of slavery through «the emotion and hope expressed in these songs of survival and resistance, this music of the memory of a long history of unmitigated suffering, in which music became a mainspring of survival while remaining an eternal refuge of peace, consolation and hope.» A tireless defender of human rights, the musician thus reaffirms the universal scope of his art.Details
- Date Saturday 11.01.25
- Time 19:30
- Duration 110' inklusive Pause
- Venue Grand Auditorium
- Meeting point 1
- Subscription Voyage dans le temps
1
This concert is part of the subscription: Voyage dans le temps
How about a bit of time-travel? From the Baroque to the Romantic era, discover past musical gems.
This concert is part of the package: Pick & Mix
Choose at least 4 concerts in the list and get a 10% discount.
Available in the package: Music Box Pick&Mix
For our first episode of «The Art of Conducting», we sat down with Jordi Savall, before his concert at the Philharmonie on 28.01.2019. The Catalan conductor is dedicated to the discovery and interpretation of early Western music and works closely with the ensembles Hespèrion XXI, La Capella Reial de Catalunya and Le Concert des Nations which he all founded or co-founded. He talked to us about the changing significance of the conductor in music history, his perception of the audience and one concert he will never forget.
