Blending fado and jazz with both modernity and respect,
pianist Júlio Resende «does with Fado what Keith Jarrett did with jazz standards» (El País). In this year marking the fiftieth anniversary of the Carnation Revolution, his reinvention of a style that has come to symbolise Portugal seems more relevant than ever: a fitting musical tribute to the sons and daughters of 25 April.
In collaboration with the exhibition at the Nationalmusée um Fëschmaart «La révolution de 1974. Des rues de Lisbonne au Luxembourg»
